

Review: Amadeus
Vienna, Austria, November 1823. An all-exposing white spotlight shines on the masqueraded Dylan Swain (as Salieri), whose hands are tied together by what look like knotty white bandages. He lurches forward, in silent pain, on the wooden chair upstage centre in the music-turned-performance space of the Laidlaw. The resounding 24-piece orchestra fills the room like the cream in the Fisher and Donaldson doughnuts metres away from my beady eyes. Positioned on a cake-stand, they r












































